Escolha o país para entrega da remessa
Usamos cookies para garantir a funcionalidade do nosso site. Depois de dares o teu consentimento, utilizamos os mesmos para analisar o tráfego e personalizar a publicidade nas plataformas de publicidade de terceiros, sempre de acordo com as regras da Política de Privacidade.
Fornecido por
Código do produto: 296-5831-518 | ID: 1006615
Crafted from alder, the body is coupled with a bolt-on maple neck featuring a pair of graphite reinforcement rods to resist bending and warping under environmental stresses. The speed neck profile is designed for lightning fast playing and completely unhindered position shifts, while the comfortably rolled fingerboard edges provide the broken-in feel of an instrument with plenty of playing miles on it, and plenty more to go. Perfect for faster tempos, the 12"-16" compound radius ebony fingerboard hosts 22 jumbo frets and white dot inlays. For regularly touring musicians, a heel-mount truss rod adjust thumbwheel is a must, allowing for quick and convenient neck relief tweaks. High-output Seymour Duncan® JB and Seymour Duncan '59™ humbucking pickups are directly mounted to the body, cranking out high octane rock ‘n’ roll tone with plenty of sweet overtones. The volume control conceals a push/pull coil split to have even more tonal variations on tap while the no-load tone control operates like a standard tone control from positions one through nine, removing itself from the circuit at position ten for transparent sound that lets the full natural voice of the guitar shine through. Dive to rumbling depths or add a well-placed rising harmonic without sacrificing your tuning with the Floyd Rose® 1000 Series double-locking tremolo bridge system.
Tipo
Número de cordas
Controlos
Potenciómetros
Interruptor
Afinadores
Mão
Cor
Número de trastes
Configuração dos pickups
Série
Perfil do braço
Pickups
Pickup da ponte
Pickup do braço
Ponte/Tremolo
Entalhes da escala
Bitola
Pickguard
Encaixe da correia
Cor original do produtor
Lime Green Metallic
Acabamento
Corpo
Pescoço
Ácer
Escala
Ébano
Acabamento do braço
Método de construção
Hardware
Truss Rod
Escala (mm)
Raio da escala
Tamanho dos trastes
Largura da porca (mm)
Fabricado em
México
Todas as avaliações são feitas por clientes verificados que compraram um produto nosso.
KIRIL K.
Bulgária
09.03.2024
Variante avaliada
Tudor Adrian N.
Romênia
05.09.2023
Variante avaliada
This is an overall good guitar for the money but there are a couple of things about it that left me a bit surprised given the Charvel pedigree. The good: - Build quality is there. You can tell this is a quality instrument. Everything feels sturdy, well put together, no spaces between joints (neck, body etc). Everything fits the way it should - The finish is amazing. The neck feels amazing to play with that natural oiled finish. The ebony fretboard is also a sight to behold & should prove to be sturdy in time - The pickups & wiring make this guitar a Swiss army knife; you can get everything from hot-rod shred metal to pristine cleans with the push-pol Volume knob. The Tone knob locks into place when moved all the way up & removes itself from the circuit which really lets that high-end come through the way you would expect it to. This is the first guitar (out of the 10 I own) where I feel there is no need to change anything about the electronics - The Floyd Rose 1000 does its job and keeps stuff in tune after you've set it up. This being my first FR guitar, it took me a little bit of research to figure out how to tune & level the bridge but I got the hang of it pretty quickly with some of the stuff on YouTube - The guitar rings / sings. It has a great resonance even when not plugged into anything. Amplified, you feel this a lot & it translates into note definition / articulation & great sustain (even with the bolt-on construction) The not so good: - Fret sprout. This guitar came with some really nasty fret sprout on both sides of the neck / fingerboard. I'm still looking at the best way to get rid of it with little intrusion as possible; doesn't seem like it's something hard to overcome but still I expected this to not be an issue on a Charvel given that I've had cheaper instruments come in which did not suffer from this one - The FR ar feels a bit loose when you try to do more subtle movements. The looseness goes away if you tighten the screw almost all the way but that makes the arm rigid - may or may not work for you; I prefer it to move around a bit & make it easier to grab or get out of the way. - Nothing to do with Charvel but the Floyd Rose R3 locking nut has some crazy pointy edges and playing close to the nut, I hurt my fingers pretty good at the beginning until I learned my way around this guitar. - While leveling the Floyd Rose bridge & tuning, I had to take the back plate off to work with the Claw & screws. The finish in the cavity is pretty sloppy - splinters all over, the EVA foam got unstuck in a couple of spots and needed a lot of reseating for it to inspire some level of confidence re. fitting onto the instrument. - While it works alright, would have loved a carved neck heel joint like that on the Squier Contemporary Stratocaster series. All in all, good instrument for the money but even with the Charvel logo on it, needs a little bit more work to get to "great' as you would expect an instrument bearing this brand's banner to be.
Tradução automática